Friday, September 11, 2009

MALAPROP'S HOSTS READING FROM A FINE ANTHOLOGY OF SOUTHERN APPALACHIAN POETRY

Southern Appalachia is a vast region whose coves and bottomland were settled primarily by Scottish Protestants who chose to live on the fringes of civilization and accepted a harsh frontier life in order to have privacy and independence. These and other Celtic and English immigrants brought with them traditions of song and story telling. Only with the arrival of industry and improved transportation beginning in the 1930’s did the Appalachian culture begin to blend into a homogenized American culture. But there remain vestiges of the old Appalachian culture, including a body of unique poetry. After lecturing on “Appalachian Culture and Poetry” to a 1987 Elderhostel program in Highlands, NC, Marita Garin recognized the need for an anthology of poetry representative of our region.

Garin has spent the majority of her adult life in Appalachia. She raised her children in Johnson City, TN, and later lived in Hendersonville, NC before moving to her present home in Black Mountain in 1988. Between 1989 and 1993, she collected poetry but initial efforts to secure a publisher were unsuccessful. The project was put in storage until April 2004, when she had an epiphany. Listening to the howling wind at the Craggy Gardens Visitor’s Center on the Blue Ridge Parkway, she thought: “This is the sound of Appalachia, this is the voice of all the hardship, struggle, heartache, hard work, and determination that comes from living in these mountains.”

Thus inspired, she met success. In 2008, McFarland & Co. published
Southern Appalachian Poetry; An Anthology of Works by 27 Poets. On Sunday, September 6, Malaprop's Bookstore in Asheville had a poetry reading during which Marita Garin told the saga of her editing and five poets each read three or four poems.

Don Johnson is a native of West Virginia who has long taught at East Tennessee State University. The ongoing theme of his poetry is “finding the way home.” Representative was “1946,” a haunting evocation of untreated Post-Traumatic Stress Syndrome in a World War Two veteran from Appalachia.

Mary Kratt, now of Charlotte, NC, grew up in Beckley, WV. Much of her poetry is about Appalachian women. The audience favorite was “I’d Have Waited a Lifetime for You, Greer Garson” based on memories of a War Bond rally in Beckley during World War Two.

Gregory Dykes has East Tennessee roots that date from the 1790’s on both sides of his family. Growing up in Jonesborough, he later lived and taught in both Tennessee and Western North Carolina. His poem “It Is...” is a reflection about his grandfather. He states that “If a Southern Appalachian theme does exist ... it is the telescoping of cultural change within the region in the 20th century and the confusion, irony, and ... trauma which come with it.”

Hilda Downer would agree with that analysis. This North Carolinian who grew up in the town of Bandana read her intense poem “So much has come and gone that the Appalachians never existed.” The poem begins:
“There are people living now
fading in and out of composition classes
who have no memories
and no childhood
recorded in black and white.”

and ends with the line:
“We were too easy to kill and already extinct.”

The final poet at the reading was novelist and poet Robert Morgan, now at Cornell University where he heads the writing program. A native of Zirconia, NC, he has in recent years spent time back in Henderson County whenever he can. “Broomsedge” is a poem he wanted to write for as long as he can remember. The 21-line poem delivers a message spoken by the bright grass of worn-out fields. The vivid imagery includes lines such as:
“the broomsedge whisks and strokes bright
rumor from the air, a vowel,
a long slow ease of song below
the threshold of song, an ancient
lull almost unheard ...”


Other poets in the anthology include Fred Chappell, Kathryn Stripling Byer, Nancy Simpson and Ron Rash. Buy Southern Appalachian Poetry; An Anthology of Works by 27 Poets. You’ll like it.

© 2009 Edward C. McIrvine
Arts Spectrum column #450
September 11, 2009

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